The wearable sculpture that feeds birds embodies a regenerative gesture towards landscape restoration. Designed as a feeding station for birds, the sculpture is worn by a participant who, for moments each day, becomes a living meeting point between human and non-human life. She remains still yet moves gently with the wind, emulating a tree's quiet resilience.
This action transforms the human figure into a bridge for symbiosis, offering birds a place to feed and perch, challenging the exclusionary logic of traditional scarecrows. Instead of repelling life, this counter-scarecrow invites connection, symbolizing a shift from anthropocentric dominance to interspecies care.
"Augúrio" refers to an ancient practice where the behavior of birds was read as a form of communication, signaling what was to come. In this context, the birds' presence and movements are not random; they embody a natural language, offering insight into the future. The act of observing becomes a way of attuning to the rhythms of nature, where the future is not predicted through speculation, but through a deeper connection with the present elements. The birds, as intermediaries, reveal a continuous flow of time, not as a fixed path, but as a dynamic unfolding of possibilities.
Nuno Vicente
info@nuno-vicente.com
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